![]() So whenever Po is really empowered, you’ll see anime lines come in the background. “He said he would rather do something completely unique to ‘Kung Fu Panda.’ And Paul had these paint strokes that felt like our version of the anime lines for this film. “I remember talking to Mike early on about anime lines and if he wanted to do that,” said Sexton. However, the greatest inspiration was streaks of paint strokes from production designer Paul Duncan. The battle was bolstered by lots of split screens, GoPro-like camera movement, and 2D-inspired graphic outlines and silhouettes for transformation poses. That was our North Star as we moved forward.” And so, if we could get a taste of how surprising each of these transformations are with The Chameleon, that would be so great. “I just thought it was one of the greatest fight sequences of all time because the transformations were so fun and joyful and surprising to watch. For this, Mitchell was inspired by the climactic wizards’ duel from Disney’s animated “The Sword and the Stone.” I’ve always been a big fan of Madame Mim and Merlin,” Mitchell said. The Chameleon’s accumulation of power as a result of her magical transformations leads to the inevitable battle with Po, whom she underestimates (of course). This became a major collaboration between the character and VFX departments to learn how to stretch the skin without breaking the surface. The first character transformation they attempted for the tiny chameleon was a 25-foot elephant, and that became the baseline for scaling up. “She changes or morphs like some of those old music videos from the ’90s,” Sexton told IndieWire. This resulted, for instance, in a magical wind that would come up from her dress. Sean Sexton (“How to Train Your Dragon: The Hidden World”), head of character animation, relied on initial 2D animation explorations to determine how The Chameleon would transform into the other creatures. “I almost wanted it to be painful, like a horror film,” he said,” because she’s such an elegant character and she’s so sure of herself, that I thought it would be creepier, almost like bones breaking, but it got a little too much.” “It’s like a snow leopard that retains her creepy lizard skin.”īut the director wanted jarring transformations displayed during The Chameleon’s extraordinary kung fu fighting. ![]() “When she transforms into a snow leopard, for example, she’s not furry,” Mitchell added. As a result, the design was adjusted to seamlessly absorb into her skin (which involved a new paintbrush tool for adding scales). These controls were affected by hundreds of spikes on her body and all of the panels on her dresses. The previous record was Toothless from “How to Train Your Dragon” with 5,000 controls. However, she’s powered by the most elaborate character rig in DreamWorks history, totaling 8,130 controls for detailed transformations. The Chameleon’s elegant and colorful design, worked out by lead character designer Euni Cho, makes use of well-researched physiology and movement. And everyone discounted her, and it burned her and she went darker to wanting revenge, which is a great motivator to get what you want. “She’s just a small lizard, a little chameleon, and like Po, wants to challenge and kick butt. “And our villain mirrors that where she is underestimated,” Mitchell continued. ‘The Crow’ First Trailer: Bill Skarsgård and FKA Twigs Resurrect a Love Story Decades in the Making ![]()
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